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Making Eye Contact With Hot Women

For a while now I've been wondering why some women always make eye contact and hold it longer than others, and in most cases, the women who fail to maintain eye contact are the best looking.

Each woman is unique, so their reasons for not maintaining eye contact could be any of a variety of things. However, after a lot of thought and research I've found out why these "dimes" or perfect 10's tend to make eye contact much less than other women.

Read on and be enlightened.

Like I said before... they do this for a variety of reasons, but a few shine through the rest. The majority of these babes will fail to maintain eye contact because: they are insecure, they are stuck up, or they lack social interaction. Let go into these three in detail...

You may be thinking to yourself "How the hell could a woman that looks that good be insecure?", and it's quite simple. You would be surprised how many really hot women are insecure, and they are because of the same reason you would think that they would not be... they know that they look good.

This puts a great deal of pressure on them, and very small flaws in their appearance that would barely bother an average person (pimples, bad hair days, broken nails, etc.) make them feel like it's the end of the world. This type of mentality constantly attacks their self confidence, which in turn makes them afraid to maintain eye contact in order to not draw any attention to these "flaws".

Now lets high-tail it over to the complete opposite of the drawing board and take a look at the infamous ice queens.

These women who are "stuck up" are that way for the same reason that the others are insecure... they know that they look good. The reason why they tend to go to one extreme or the other... remains a mystery. I'm not exactly sure why some turn out to be stuck up while other do not... let's just blame that on genetics :) However, I do know that these snobby women stay that way because of their daily dose of confidence "boosters", which come in the form of men staring at them or compliments that they receive on their looks.

The good news is that these women almost always drop the "ice queen" act if you get up the balls to approach them, as they will be very surprised that you did so, and that brings us to our last category of women because ALL of these women fit that bill also...

Almost all of these "stuck up" women lack social interaction, because they scare off most of the men who would approach them if they didn't think that they would be rejected. I'm not talking about social interaction in general, like simply talking to people, I'm saying that they are rarely "hit on" in the PROPER manner.

99% of the time that these women are hit on is by the only type of men that have the balls to do so, which are known as the "male pigs". These men will hang out the window of their car and shout something like "Woooohoooo, shake that ass baby!" or "Damn, your fine!". I don't fully understand why they do this... maybe they think that they are being cool? That's another unsolved mystery, let's just blame that on genetics also :)

These women only get hit on in a manner such as that, which makes them believe that *almost* all men are like that, and the truth is... they are right. That is the same reason why us players are some of the only guys who have the ability to date women like these, and on that note I would like to thank all of the "male pigs" out there for making my job so much easier :)

When you approach these women using the proper methods described in my book, they will be very happy that you did so because this rarely happens to them, and once you learn to play your cards right you will be able to pick them up with ease.

I'm not saying that you will be able to pick up every hot woman that you approach, there are still some that think that they are too good for anyone who isn't a model with over 10 million in the bank... those women can have fun trying to find a man like that, I wish them good luck in their search. Just remember that things only happen when you make them happen, so suck it up and initiate the conversation, or it'll never take place.

Take my advice and soon you'll be picking up and dropping more dimes than the sprint lady!

For more information on how to get the type of girls that you've always wanted, check out my site Becomeaplayer.com, it contains a wealth of information... and best of all it's free!/

Good luck!

The Player

About the Author

The Player owns and operates Becomeaplayer.com - the free guide to picking up women and is also the author of the best selling seduction guide "The Player's Black Book".

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Evening Mood, Art Poster by Adolphe William Bouguereau

Evening Mood, Art Poster by Adolphe William Bouguereau
Find all your favorite posters and art prints at Barewalls.com, the Web's leading art retailer. In business since 1997, Barewalls offers unmatched selection, service and prices. Browse our huge selection of wall art, including fine art, popular posters, vintage posters and decor prints. Have your print custom framed at our professional framing facilities and shipped ready to hang. What do customers say about Barewalls? "Great packaging and very fast delivery. Will definitely shop here before any other poster or print store." Date: 05/27/2004 Rated by Buyer: melselz2 "This seller is truly professional. Extremely customer service oriented. Updates sent regularly. Merchandise arrived in mint condition. Would definitely do business with them again." Date: 05/13/2004 Rated by Buyer: laurj11

Obsessions (Wagner & Strauss: Arias and Scenes)

Obsessions (Wagner & Strauss: Arias and Scenes)
Here the beautiful-voiced Deborah Voigt tackles music her sound is made for: big, powerful moments from works of Richard Strauss and Richard Wagner. All 10 selections are handsomely sung, with gleaming, even tone, and some are true standouts. Elisabeth's Greeting from Tannhaeuser is sort of matter-of-fact, but both of Sieglinde's solos from Walküre are filled with urgency and depth and seem to be happening in real time. Ariadne's monolog is suitably ethereal and fantastic (in the true sense of the word) and the "chunks" from Die Frau ohne Schatten and Chrysothemis's monolog from Elektra, though weird out of context, are vocal showpieces. Her Isolde is nuanced and potent, if without the ultimate rage in the Narrative and Curse or the heavenly transfiguration of the Liebestod, and the final scene of Salome, ravishingly sung, does not quite probe this character's berserk Freudian issues. But she's a remarkable singer and this CD is sure to delight; one can bathe in her warm, rich sound. --Robert Levine

Customer Review: The Opera ain't over......

This review is kind of dated; since this album was released, the fat lady had lost a bunch of weight. Miss Voigt got some unfortunate publicity a couple of years ago when Covent Garden paid off her contract, and fired her due to her excess poundage. I don't question their right to do that, but I do question the sanity of anyone who fires the greatest Wagnerian of our day. That event triggered her big weight loss, and she's back at Covent Garden. What do audiences want? Every High School has plenty of girls who look great in skimpy costumes, but, can they sing this music? Please...great Wagner singers are MUCH rarer than great heart surgeons. Flagstad wasn't anything to look at, and Schumann-Heink was massive, BUT, they could do justice to Wagner. Helen Traubel? There are exceptions to everything.

This is a truly wonderful album...Wagner and Strauss did not write for weaklings. Miss Voigt makes Sieglinde and Isolde come alive; her voice is both massive and beautiful. What we have here is 68 minutes of the finest singing of really tough music available in our day. The "Tristan und Isolde" excerpts are alone worth the price, but the whole recording is a joy.

Customer Review: A Wonderful Wagner and Strauss Recital

When I first heard this CD, I didn't think much of Deborah Voigt since I had heard her during her earlier days singing Mathilde in Rossini's Gugliemo Tell with the conductor Evelino Pido. Her timbre at that time was so creamy and rich and beautiful, and as I heard her over the years, I noticed that the qualities that made her such a promising singer in that Tell were not present in this recording. I also heard her do some Verdi roles in the Met, parts that were obviously not suited to her cooler, Germanic sound. A few days ago, after listening to a broadcast of her spectacular Salome from Chicago last fall and her recent Agyptische Helena from the Met, I have to say that I have never been more amazed by this soprano.

Of course, Voigt is no Nilsson, but who else was? I don't think Inge Borkh, Gwyneth Jones, Ursula Schröder-Feinen, Leonie Rysanek, or Hildegard Behrens ever equalled the great Swede in terms of power and focus, and neither will Voigt. But what Voigt has that Nilsson does not is a warmth and a grain to her voice, making Voigt's portrayals of her heroines sound more human than godlike compared to the stentorian Brünnhilde. Voigt's Sieglinde, Ariadne, Elisabeth, Isolde, Salome, Kaiserin, and Chrysothemis are all magnificent characterizations with a human, womanly touch to them. This recital allows the listener to hear showpieces that reflect her talent as a German dramatic soprano, and the listener is immediately drawn by the care to which Voigt lavishes on these selections. Dich Teure Halle is sung with the bright, happy, pure sound one associates with Elisabeth, and if it not a personalized portrayal of the heroine, it certainly is a perfectly sung one. Of the two selections from Die Walküre, Der Männer Sippe is sung with urgent drive, showing us once again that Deborah is the best Sieglinde of our day. She sings Du Bist der Lenz with rapture and beauty, and one would have hoped that she could have partnered Ben Heppner or Domingo to finish the remainder of Act I in this CD. The selections from Tristan are sung with vocal opulence that reminds us how Voigt is quickly becoming one of the best Isoldes today. The Narration from Act I is sung like a powerhouse of rage and sarcasm, and the Liebestod is perfectly sung, albeit lacking that sense of apotheosis that characterized Nilsson and Flagstad in their singing of the part. Although these excerpts were Voigt's starting forays into Isolde, she already shows security and intelligence in this cornerstone of the dramatic soprano repertoire.

The next half of the recital shows Voigt's talents in the Straussian roles where her voice is put to its best use. Unlike the Wagner selections, these Straussian excerpts don't seem to lend as well to cutting, but they nonetheless give the listener an idea of Voigt's mastery of the Straussian idiom. Her large, creamy, grainy voice is ideal for Chrysothemis, and I have never heard Ariadne sung better in these recent years. Voigt is easily the equal of Rysanek as the empress, the steely sheen of her voice perfect for the luminscent character of the Kaiserin. She closes the recital with the final scene from Salome, a selection that shows Voigt's exploration of another dramatic role that she assumed to great acclaim last fall in Chicago. All in all, a great recital, and one would only hope that she had been partnered by a more sensitive conductor like Christian Thielemann.

Complete Comic Book Library and 25 Years of Garfield Software Bundle

Complete Comic Book Library and 25 Years of Garfield Software Bundle
Tap dancing his way into 41 U.S. newspapers in 1978, everyones favorite flabby tabby today stars in the comics pages of over 2,500 papers in 87 countries! Revisit over a quarter-century of the exploits of the worlds funniest caffeine-coveting, lasagna-loving, spider-swatting, puppy-punting, feisty feline: its The Wide World of Garfield on CD-ROM. Loaded with every Garfield strip ever published, this software suite includes a litter of special features, including a history of the Garfield comic strip; biographies of Garfield, Jon, and Odie; a quartet of solitaire computer games; desktop wallpaper and screensavers.

A motherlode of comic history, Marvel Comic Book Library Vol. 1 captures the first 10 issues of 10 classic comic books on one unbelievably priced CD-ROM. Most are from Marvel's Golden Age in the 1960s--Spider-Man, Hulk, Daredevil, Fantastic Four, Captain America, the Avengers, the Sub-Mariner, Iron Man, and Silver Surfer. The exception is the X-Men, who were also created in the 1960s but are represented here by the 1970s incarnation that soon became the hottest property in comics with the introduction of such characters as Wolverine, Colossus, and Storm (their 10-issue sampling begins appropriately with Giant-Size X-Men #1). And with that same exception, all the series were written by Stan Lee, most often with art by Jack Kirby but with other Marvel Bullpen denizens such as Steve Ditko and Wally Wood.

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